{"id":1921,"date":"2019-08-10T19:21:21","date_gmt":"2019-08-10T22:21:21","guid":{"rendered":"https:\/\/alexandrefrangioni.com.br\/?page_id=1921"},"modified":"2026-10-15T11:18:54","modified_gmt":"2026-10-15T14:18:54","slug":"biography","status":"publish","type":"page","link":"https:\/\/alexandrefrangioni.com.br\/en\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_3 1_3 fusion-one-third fusion-column-first\" style=\"--awb-bg-size:cover;width:33.333333333333%;width:calc(33.333333333333% - ( ( 4% ) * 0.33333333333333 ) );margin-right: 4%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-column-wrapper-legacy\"><div class=\"fusion-image-element fusion-image-align-center in-legacy-container\" style=\"text-align:center;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><div class=\"imageframe-align-center\"><span class=\" fusion-imageframe imageframe-dropshadow imageframe-1 hover-type-none\" style=\"-webkit-box-shadow: 3px 3px 7px rgba(0,0,0,0.3);box-shadow: 3px 3px 7px rgba(0,0,0,0.3);\"><img decoding=\"async\" width=\"1000\" height=\"1333\" alt=\"Alexandre Frangioni\" title=\"Alexandre-Frangioni\" src=\"https:\/\/alexandrefrangioni.com.br\/wp-content\/uploads\/Alexandre-Frangioni.jpg\" class=\"img-responsive wp-image-4391\" srcset=\"https:\/\/alexandrefrangioni.com.br\/wp-content\/uploads\/Alexandre-Frangioni-200x267.jpg 200w, https:\/\/alexandrefrangioni.com.br\/wp-content\/uploads\/Alexandre-Frangioni-400x533.jpg 400w, https:\/\/alexandrefrangioni.com.br\/wp-content\/uploads\/Alexandre-Frangioni-600x800.jpg 600w, https:\/\/alexandrefrangioni.com.br\/wp-content\/uploads\/Alexandre-Frangioni-800x1066.jpg 800w, https:\/\/alexandrefrangioni.com.br\/wp-content\/uploads\/Alexandre-Frangioni.jpg 1000w\" sizes=\"(max-width: 800px) 100vw, 1000px\" \/><\/span><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_2_3 2_3 fusion-two-third fusion-column-last\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;width:66.666666666667%;width:calc(66.666666666667% - ( ( 4% ) * 0.66666666666667 ) );\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><p>Alexandre Frangioni<br \/>\nBorn in S\u00e3o Paulo, 1967<\/p>\n<p>A self-taught artist, Frangioni holds an Engineering degree from Mackenzie Presbyterian University, which he completed in 1989.<br \/>\nIn 2005, he began his career as an artist, producing works in a variety of media, such as painting, photography, sculpture, and installation. Since then, his work has been presented in solo and group exhibitions across Brazil and the United States. He continues to develop series exploring power structures, memory, and the socio-economic dynamics of contemporary society at his studio in S\u00e3o Paulo, Brazil, where he lives and works.<\/p>\n<h2>Solo Exhibitions<\/h2>\n<p><strong>2026\u00a0 \u00a0 \u00a0<\/strong><\/p>\n<ul>\n<li>Exhibition &#8220;Um vislumbre no real&#8221; <i>(A glimpse of reality)<\/i>, Pinacoteca Benedicto Calixto, Santos, SP<\/li>\n<li>Exhibition &#8220;Na medida dos valores&#8221; <i>(In proportion to the values)<\/i>, Clube Athletico Paulistano, S\u00e3o Paulo, SP<\/li>\n<li>Exhibition &#8220;De emblemas e limites&#8221;<em> (Of emblems and limits)<\/em>, Galeria GAIA &#8211; UNICAMP, Campinas, SP<\/li>\n<li>Exhibition &#8220;Levarei Saudades da Aurora&#8221; <i>(I will carry nostalgia for Aurora)<\/i>, Espa\u00e7o Cultural BRDE &#8211; Palacete dos Le\u00f5es, Curitiba, PR<\/li>\n<\/ul>\n<p><strong>2023\u00a0 \u00a0 \u00a0<\/strong><\/p>\n<ul>\n<li><span data-preserver-spaces=\"true\">Exhibition \u201cExodus in NY\u201d, South Art Dealer, Brooklyn, NY, USA<\/span><\/li>\n<li>Exhibition \u201cC\u00f3pia Fiel\u201d <i>(Faithful Copy)<\/i>,\u00a0Galeria Babel, S\u00e3o Paulo, SP<\/li>\n<li>Exhibition \u201cBrasil Imp\u00e9rio\u201d <i>(Brazil Empire)<\/i>, Pinacoteca de S\u00e3o Bernardo do Campo, SP<\/li>\n<\/ul>\n<p><strong>2021\u00a0 \u00a0 \u00a0<\/strong><\/p>\n<ul>\n<li>Exhibition &#8220;Dois tempos, um mesmo olhar&#8221; <i>(Two Periods, one glance)<\/i>, Museu Casa Alfredo Andersen, Curitiba, PR<\/li>\n<\/ul>\n<p><strong>2019<\/strong><\/p>\n<ul>\n<li><span data-preserver-spaces=\"true\">Exhibition \u201cExodus\u201d, Tribeca, NY, South Art Dealer, Manhattan, NY, USA<\/span><\/li>\n<\/ul>\n<p><strong>2018<\/strong><\/p>\n<ul>\n<li>Exhibition \u201cC\u00f3digos\u201d <i>(Codes)<\/i>, Casa do Olhar Luiz Sacilotto, Santo Andr\u00e9, SP<\/li>\n<\/ul>\n<p><strong>2016<\/strong><\/p>\n<ul>\n<li>Exhibition \u201cMoedas\u201d <em>(Currency)<\/em>, Museu de Arte Contempor\u00e2nea de Jata\u00ed, GO<\/li>\n<li>Exhibition \u201cMoedas\u201d <em>(Currency)<\/em>, Museu de Arte Contempor\u00e2nea MARCO de Campo Grande, MS<\/li>\n<\/ul>\n<p><strong>2015<\/strong><\/p>\n<ul>\n<li>Exhibition &#8220;Moedas&#8221;\u00a0<em>(Currency)<\/em>, Museu de Arte Contempor\u00e2nea de Blumenau, SC<\/li>\n<\/ul>\n<p><strong>2011<\/strong><\/p>\n<ul>\n<li>Exhibition &#8220;Rela\u00e7\u00f5es&#8221; <em>(Connections)<\/em>, Emia Galeria, S\u00e3o Paulo, SP<\/li>\n<\/ul>\n<h2>Group Exhibitions<\/h2>\n<p><strong>2025\u00a0 \u00a0 \u00a0<\/strong><\/p>\n<ul>\n<li>Exhibition \u201cAnima, animalis, vegetabilis\u201d, Casa Contempor\u00e2nea, S\u00e3o Paulo, SP<\/li>\n<\/ul>\n<p><strong>2024\u00a0 \u00a0 \u00a0<\/strong><\/p>\n<ul>\n<li>Exhibition \u201cCama de Gato\u201d <i>(Cat&#8217;s Cradle)<\/i>, Hermes Artes Visuais, S\u00e3o Paulo, SP<\/li>\n<\/ul>\n<p><strong>2022<\/strong><\/p>\n<ul>\n<li>Exhibition &#8220;Temporada de Exposi\u00e7\u00f5es 2022&#8221;, 19<sup>th<\/sup> Edition, Museu de Arte de Ribeir\u00e3o Preto (MARP), Ribeir\u00e3o Preto, SP<\/li>\n<\/ul>\n<p><strong>2021<\/strong><\/p>\n<ul>\n<li>Exhibition\u201cPo\u00e9ticas Plurais\u201d <i>(Plural poetic)<\/i>, Galeria Zilda Fraletti, Curitiba, PR<\/li>\n<\/ul>\n<p><strong>2019<\/strong><\/p>\n<ul>\n<li>Exhibition \u201cTransit\u00f3rio\u201d <em>(Transitory)<\/em>, Galerie Br\u00e9sil, S\u00e3o Paulo, SP<\/li>\n<li><i>16th Ubatuba Visual Arts Salon<\/i>, Ubatuba, SP<\/li>\n<li>Exhibition &#8220;I Mostra di Vida com Arte&#8221; <i>(Demonstration of life)<\/i>, S\u00e3o Paulo, SP<\/li>\n<\/ul>\n<p><strong>2018<\/strong><\/p>\n<ul>\n<li>Exhibition \u201cMem\u00f3ria e Engajamento\u201d <i>(Memory and Engagement)<\/i>, Galerie Br\u00e9sil, S\u00e3o Paulo, SP<\/li>\n<li>Exhibition \u201c3D\u201d, Pinacoteca Municipal de S\u00e3o Caetano do Sul, S\u00e3o Caetano do Sul, SP<\/li>\n<li>Exhibition iMaterial\u201d, Museu de Arte de Goi\u00e2nia, Goi\u00e2nia, GO<\/li>\n<li><em>AMO Institute Opening Exhibition<\/em>, S\u00e3o Paulo, SP<\/li>\n<\/ul>\n<p><strong>2017 <\/strong><\/p>\n<ul>\n<li>Exhibition \u201cCurto Circuito de Artes\u201d <i>(Art Short Circuit)<\/i>, Casar\u00e3o da Cultura de Rio Claro, Rio Claro, SP<\/li>\n<li>Temporada de Exposi\u00e7\u00f5es 2017 \u2013 MARP, Museu de Arte de Ribeir\u00e3o Preto, Ribeir\u00e3o Preto, SP<\/li>\n<li>\u201co desejo do Outro\u201d <i>(The desire of the Other)<\/i>, Espa\u00e7o Ophicina, S\u00e3o Paulo, SP<\/li>\n<li>Exhibition \u201cBrazil Generations\u201d, Pinacoteca Benedito Calixto, Santos, SP<\/li>\n<\/ul>\n<p><strong>2016<\/strong><\/p>\n<ul>\n<li>Exhibition \u201c#PreLoca\u00e7\u00e3o\u201d <em>(#Pre-rent)<\/em>, Av. Europa 614, S\u00e3o Paulo, SP<\/li>\n<\/ul>\n<p><strong>2007 &#8211; 2015<\/strong><\/p>\n<ul>\n<li>13<sup>th<\/sup> Sal\u00e3o de Arte de Jata\u00ed, Jata\u00ed, GO<\/li>\n<li>60<sup>th<\/sup> Sal\u00e3o de Abril, Fortaleza, CE<\/li>\n<li>41st\u00a0Sal\u00e3o de Arte Contempor\u00e2nea de Piracicaba, SP<\/li>\n<li>39<sup>th<\/sup> Sal\u00e3o de Arte Contempor\u00e2nea de Piracicaba, SP<\/li>\n<\/ul>\n<h2>Art Fairs<\/h2>\n<p><strong>2022<\/strong><\/p>\n<ul>\n<li>Palm Beach Modern + Contemporary, Palm Beach, USA<\/li>\n<\/ul>\n<p><strong>2021<\/strong><\/p>\n<ul>\n<li>SP Arte 365, Viewing Room (Zilda Fraletti Gallery), online<\/li>\n<li>SP Arte, Viewing Room (S\u00e9rgio Gon\u00e7alves Gallery), online<\/li>\n<\/ul>\n<p><strong>2020<\/strong><\/p>\n<ul>\n<li>Art Wynwood Fair (South Art Dealer in alliance with Galerie Br\u00e9sil), Miami, USA.<\/li>\n<\/ul>\n<p><strong>2019<\/strong><\/p>\n<ul>\n<li>Context Art Fair, Miami, USA<\/li>\n<li>Art NY 2019, NY, USA<\/li>\n<\/ul>\n<p><strong>2018<\/strong><\/p>\n<ul>\n<li>Scope Art Fair, Miami, USA.<\/li>\n<li>PARTE Art Fair \u2013 Hebraica Edition, S\u00e3o Paulo, SP<\/li>\n<li>Scope Art Fair, New York, USA<\/li>\n<\/ul>\n<p><strong>2017 <\/strong><\/p>\n<ul>\n<li>Pinta, Miami, USA<\/li>\n<li>Scope Art Fair, Miami, USA<\/li>\n<li>PARTE \u2013 Hebraica Edition, S\u00e3o Paulo, SP<\/li>\n<li>BA Photo, Buenos Aires, Argentina<\/li>\n<li>P.AR.C\u201917, Lima, Peru<\/li>\n<\/ul>\n<p><strong>2016<\/strong><\/p>\n<ul>\n<li>Pinta Art Fair, Miami, USA<\/li>\n<li>PARTE Art Fair \u2013 Hebraica Edition, S\u00e3o Paulo, SP<\/li>\n<li>PARTE Art Fair \u2013 Cidade Jardim Edition, S\u00e3o Paulo, SP<\/li>\n<\/ul>\n<p><strong>2008 &#8211; 2019<\/strong><\/p>\n<ul>\n<li>47<sup>th<\/sup> Chapel Art Show, S\u00e3o Paulo, SP<\/li>\n<li>46<sup>th<\/sup> Chapel Art Show, S\u00e3o Paulo, SP<\/li>\n<li>45<sup>th<\/sup> Chapel Art Show, S\u00e3o Paulo, SP<\/li>\n<li>43<sup>rd<\/sup> Chapel Art Show, S\u00e3o Paulo, SP<\/li>\n<li>42<sup>nd<\/sup> Chapel Art Show, S\u00e3o Paulo, SP<\/li>\n<li>40<sup>th<\/sup> Chapel Art Show, S\u00e3o Paulo, SP<\/li>\n<li>39<sup>th<\/sup> Chapel Art Show, S\u00e3o Paulo, SP<\/li>\n<\/ul>\n<h2>Awards<\/h2>\n<p><strong>2020<\/strong><\/p>\n<ul>\n<li>\u201c\u00caXODO\u201d <a href=\"https:\/\/youtu.be\/K_6QW_X7lhs\" target=\"_blank\" rel=\"noopener\">Video<\/a>, Pr\u00eamio Funarte RespirArte \u2013 Funda\u00e7\u00e3o Nacional de Arte, Brazil.<\/li>\n<\/ul>\n<p><strong>2009<\/strong><\/p>\n<ul>\n<li>41<sup>st<\/sup> Sal\u00e3o de Arte Contempor\u00e2nea de Piracicaba, SP &#8211; Special jury mention<\/li>\n<\/ul>\n<h2>Collections<\/h2>\n<ul>\n<li>\n<div><span lang=\"PT-BR\">Pinacoteca de S\u00e3o Bernardo do Campo&#8217;s collection (S\u00e3o Paulo, Brazil)<\/span><\/div>\n<\/li>\n<li>UNESPAR &#8211; Escola de M\u00fasica e Belas Artes do Paran\u00e1<span lang=\"PT-BR\">&#8216;s collection (Paran\u00e1, Brazil)<\/span><\/li>\n<li>AAL \u2013 Arte Al Limite&#8217;s collection (Chile)<\/li>\n<li>Renata Alves de Paula&#8217;s personal collection (S\u00e3o Paulo, Brazil)<\/li>\n<li>Museu Casa Alfredo Andersen<span lang=\"PT-BR\">&#8216;s collection (Paran\u00e1, Brazil)<\/span><\/li>\n<li>Museu de Arte Contempor\u00e2nea de Campo Grande MARCO<span lang=\"PT-BR\">&#8216;s collection (Mato Grosso do Sul, Brazil)<\/span><\/li>\n<li>Chapel Art<span lang=\"PT-BR\">&#8216;s collection (S\u00e3o Paulo, Brazil)<\/span><\/li>\n<\/ul>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_3 1_3 fusion-one-third fusion-column-first\" style=\"--awb-bg-size:cover;width:33.333333333333%;width:calc(33.333333333333% - ( ( 4% ) * 0.33333333333333 ) );margin-right: 4%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-column-wrapper-legacy\"><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":96,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1921","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/alexandrefrangioni.com.br\/en\/wp-json\/wp\/v2\/pages\/1921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alexandrefrangioni.com.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alexandrefrangioni.com.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alexandrefrangioni.com.br\/en\/wp-json\/wp\/v2\/users\/96"}],"replies":[{"embeddable":true,"href":"https:\/\/alexandrefrangioni.com.br\/en\/wp-json\/wp\/v2\/comments?post=1921"}],"version-history":[{"count":29,"href":"https:\/\/alexandrefrangioni.com.br\/en\/wp-json\/wp\/v2\/pages\/1921\/revisions"}],"predecessor-version":[{"id":7140,"href":"https:\/\/alexandrefrangioni.com.br\/en\/wp-json\/wp\/v2\/pages\/1921\/revisions\/7140"}],"wp:attachment":[{"href":"https:\/\/alexandrefrangioni.com.br\/en\/wp-json\/wp\/v2\/media?parent=1921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}